Christmas Wonderland

Happened to be there when the “Christmas Wonderland” at the Gardens by the Bay was officially opened on the 27th Nov 2015.

 

 

It's snowing! Bubbles showering the refulgent Spalliera.
Snowing – bubbles showering the refulgent Spalliera

 

 

Big crowd at the official opening
Big crowd at the official opening

 

Carousel
Carousel operator like a DJ

 

Festive Market
Festive Market

 

More info? There is an official website.

 

 

The Circus

The Circus in Town
The Circus in Town (Cirque du Soleil)

 

 

Singapore vs. Japan (World Cup Qualifier)

The Japanese showed that they were indeed a class-above by beating the Singaporean team 0-3 at the National Stadium.

 

It began quite well as the home team thwarted multiple advances from the Samurai Blue. But I have to admit, it was mainly the effort by Izwan Mahbud, the goal keeper. He saved many attempts but not enough when Mu Kanazaki headed in the ball at the 20th minute. The flood gates seemed to have been opened finally, and Keisuke Honda and Maya Yoshida netted the 2nd and 3rd goals.

 

The game was dominated by the Japanese and the Singaporean team only created 1 or 2 chances and they were unfortunately off-target. Samurai Blue’s keeper Shusaku Nishikawa was unchallenged. I think he was rather bored or relaxed, and I even saw him stretching his legs during the second half of the game.

 

Sidenote: while football wasn’t really promising, Singapore did win something this season — the Singapore National Stadium bagged this year’s Supreme Award for Structural Engineering Excellence! [source]

 

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Safuwan Baharudin struggling to get the ball

 

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Mu Kanazaki proved too quick for the Singaporean defender Nazrul Nazari

 

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Safuwan Baharudin managed to stay up from the challenge by Yosuke Kashiwagi

 

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Supporters for the Samurai Blue

 

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Singaporean defenders looked helpless as Mu Kanazaki made a shot

 

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Keeper Izwan Mahbud was at the right place at the right time

 

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Keisuke Honda scored the second goal for the Samurai Blue, minutes after the first

 

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Half-time — an opportunity for a selfie or two

 

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When 6 & 7 found each other

 

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Lost but the fans cheered on!

 

Chinatown in B+W

These photos were taken during my visit to the night marketing a couple of weeks before the Chinese New Year. Instead of the usual red and yellow colour palette, I would like to show the B&W side of the people here. Although our world is not B&W, I find it true that B&W captures the essence in people and colours may add distractions in our focus e.g. the clothes they wear.

Photos were taken with 85mm FDn lens from Canon paired with the Sony alpha7.

Seniors tend to take a break here at the inner side of the Buddha Tooth Relic Temple & Museum
Seniors tend to take a break here at the inner side of the Buddha Tooth Relic Temple & Museum
Details of the back door to the Buddha Tooth Relic Temple & Museum
Details of the back door to the Buddha Tooth Relic Temple & Museum
Fortune teller
Fortune teller
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Making decisions — to buy or not?
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Soaking in the atmosphere
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Solemnly waiting

 

Xperia Z1

I do believe that the best camera is the one that is always with you.

More than a decade ago, it was my Lomo LC-A because it is compact enough for me to bring it with me to most places. Today (in 2014) it is the Xperia Z1. I am so glad that we now have smartphones which are equipped with high-resolution sensors. The Xperia Z1 camera sensor packs 20.7 megapixels in 1/2.3-inch area. This sensor is among the largest in the smartphones’ market and should promise low noise (but not really…) and better bokeh. The phone also has a dedicated shutter button with half-press ability — something I like very much.

The default operation mode is Superior Auto which means the user just needs to compose and trigger.  The Manual mode on the other hand offers a little more flexibility to the user for EV compensation and setting of WB. It does not provide control/access to the shutter speeds and lens aperture (aperture seems to be fixed at f/2 in all the EXIF data I have checked for both Auto and Manual modes). Instead, there is a Scene selection. Also, full resolution 5248 x 3936 (20.7MP, 4:3) is only available in the Manual mode.

 

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Scene seletion in “Manual” mode

 

Although I prefer having some manual controls in my cameras, I seldom use the Manual mode. I stick to Auto most of the time because:

  • Noise at full resolution or 20.7MP is more pronounced
  • Smaller file obviously, with Superior Auto which locks max resolution at 8MP
  • 16:9 in Superior Auto crops out the soft corners reported
  • The phone doesn’t remember the mode which I last used! Each time I start the camera app, it goes to Superior Auto!

Besides these two modes, the camera app also accepts add-ons developed by Sony and third parties (e.g. Evernote). I rarely use any of them except for Timeshift burst. They’re downloadable from the Play store.

 

Modes and add-ons
Modes and add-ons

 

Below are sample photos, directly from the camera (unedited) but resized, shot in either Superior Auto or Manual and all handheld. You can probably tell which mode is used from the aspect ratio. Resized images often reduce the effect of noise (one conclusion – most phones are fine if you use the photos for web). The lens according to the EXIF data, has 4.9mm focal length. I read this is equivalent to 27mm (FF/35mm).

 

My son's collectibles (1/32s, ISO125)
My son’s collectibles (1/32s, ISO125)
Drink stall operator (probably also owner of) Blanco Court Prawn Mee (1/100s, ISO100)
Drink stall operator (probably also owner of) Blanco Court Prawn Mee (1/100s, ISO100)
iEat Burger by Aston's (1/64s, ISO64)
iEat Burger by Aston’s (1/64s, ISO64)
Blue hour at the Boon Lay MRT station (1/5s, ISO64)
Blue hour at the Boon Lay MRT station (1/5s, ISO64)
Café Swiss interior (1/50s, ISO500)
Café Swiss interior (1/50s, ISO500)
Rooftop of a carpark along Upper Cross St (1/2500s, ISO64)
Rooftop of a carpark along Upper Cross St (1/2500s, ISO64)
Two (1/125s, ISO160)
Two (1/125s, ISO160)
Hong Kong's cloudy skyline from the Peak (1/320s, ISO50)
Hong Kong’s cloudy skyline from the Peak (1/320s, ISO50)
Unimpressive low-light shot at a Lion King show (1/32s, ISO320)
Unimpressive low-light shot at a Lion King show (1/32s, ISO320)
Interior of the Fullerton Hotel (1/125s, ISO320)
Interior of the Fullerton Hotel (1/125s, ISO320)
Light trails at Clementi using Manual mode -- one of those scene selected with "long" exposure. My shaky hands are very visible. (1/2s, ISO50)
Light trails at Clementi using Manual mode — one of those scene selected with “long” exposure. My shaky hands are very visible. (1/2s, ISO50)
HK-style pastries at a hawker center in Whampoa (1/100s, ISO200)
HK-style pastries at a hawker center in Whampoa (1/100s, ISO200)
Hardworking hawker at Chinatown -- serves one of the best mee pok (I call it the local ramen) (1/50s, ISO200)
Hardworking hawker at Chinatown — serves one of the best mee pok (I call it the local ramen) (1/50s, ISO200)
The local ramen, dry variant. (1/50s, ISO800)
The local ramen, dry variant. (1/50s, ISO800)
Another unimpressive but decent low-light shot -- subjects, context maintained (1/20s, ISO1600)
Another unimpressive but decent low-light shot — subjects, context maintained (1/20s, ISO1600)
One of the 60 shots taken by the Timeshift Burst mode (EXIF n/a)
One of the 60 shots taken by the Timeshift Burst mode (EXIF n/a)
Panorama mode (EXIF n/a)
Panorama mode (EXIF n/a)
Blue hour at the Marina Bay -- noise very apparent (1/8s, ISO400)
Blue hour at the Marina Bay — noise very apparent (1/8s, ISO400)
Waiting at a bus stop (1/64s, ISO1600)
Waiting at a bus stop (1/64s, ISO1600)
Dawn at Boon Lay MRT (1/500s, ISO50)
Dawn at Boon Lay MRT (1/500s, ISO50)
Finally a late night shot in Auto.
Finally a late night shot in Auto.
On the way (1/50s, ISO320)
On the way (1/50s, ISO320)

 

To conclude, the camera produces sufficiently good images. With some post processing (noise reduction, sharpening, adjustments of shadows & highlights), the resized images should look great for web (or facebook, etc).

While the camera in your smartphone is not going to replace “real” cameras anytime soon — it should still be your best because you have it with you all the time — unless if you have dSLR with you all the time too.

Canon FDn 85mm f/1.8

This post is about Canon’s “New” FD or FDn 85mm f/1.8 lens which I got from Japan via eBay. There are not many articles on this lens on the Internet; some stuff I found out: it is constructed with 6 elements in 4 groups. The angles of view are 16° vertical and 24° horizontal. The more popular 85mm Canon lens would be the f/1.2 one which is probably why information is so scarce.

Canon FDn 85mm f/1.8
Canon FDn 85mm f/1.8

I find colour reproduction of this portrait/telephoto lens very acceptable, perhaps due to lack of ghosting and/or flare. Overall sharpness is also good but I often get slightly blurred images due to my own movements when using maximum aperture — couldn’t always nail sharp focus on the eyes when shooting portraiture at 0.85m distance. Will probably need to work more on this, or I could make use of a monopod.

The following photos are taken with Sony Alpha7.

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Children warming up before their swim lesson
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Portrait done with shallow depth of focus
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Too bored; took photos of essential oils with lush greenery as the back drop. Love the bokeh.
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Splash
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Let’s jump!
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Knocking off on a Friday evening at One Raffles Quay
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Making a call or surfing Facebook?
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Sculpture
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One Marina Boulevard
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Facades of the Chronos and Helios buildings at Biopolis
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Facade of the Chronos building at Biopolis. This is my current desktop wallpaper 🙂

 

Nifty Fifty

I love prime lens, and the 50mm focal length is one of my favourites. In my opinion, primes generally offer 3 main advantages — (a)  less optical distortion introduced, (b) have wider maximum aperture for those bokehliciuos portraits and finally (c) for the smaller package as compared to zoom lens.

50mm focal length (in full frame) is nifty because you can use it for many types of photography genres. If you’re new, 50mm should be your first prime because it can help you explore these various genres. You’ll be able to find what you like — portraits, street, landscape, etc before investing further in other lenses.

If you’re using a camera with APS-C sensor, you should be looking for focal length of about 35mm. Olympics and Panasonic mirrorless cameras use m4/3 format and the equivalent focal length is 24mm.

All photos  below are taken with the manual Minolta MD 50mm f/1.7 with full frame sensor.

Kid at the playground under mom's watchful eyes
Kid at the playground under mom’s watchful eyes
Children at the playground
Children at the playground
Lego car down the slide
Lego car down the slide
Man looking for a seat at McDonalds, King Albert Park
Man looking for a seat at McDonalds, King Albert Park
Gathering at McDonalds, King Albert Park
Gathering at McDonalds, King Albert Park
Status update?
Status update?
McDonalds at King Albert Park on its last night of operation.
McDonalds at King Albert Park on its last night of operation.
Group selfie
Group selfie
Barista at the CAD cafe
Barista at the CAD cafe
Relax lah.
Relax lah.
Not plain but fruity water
Not plain but fruity water
Cookies
Cookies
Barista at the CAD cafe
Barista at the CAD cafe
Blue hour at the junction of Alexander Rd & Queensway
Blue hour at the junction of Alexander Rd & Queensway

Blue Hour at the Port

Woke up early for this shot. This was taken from one of the south-facing blocks in the Engineering Faculty of the National University Singapore (NUS).

This is the Pasir Panjang Terminal, part of Port of Singapore.

The Port of Singapore includes terminals located at Tanjong Pagar, Keppel, Brani, Pasir Panjang, Sembawang and Jurong. They can accommodate all types of vessels, including container ships, bulk carries, ro-ro ships, cargo freighters, coasters and lighters. The Pasir Panjang Terminal (PPT) handles mega container vessels of 13,000 TEUs or more with quay cranes that can reach across 22 rows of containers. Remote controlled bridge cranes allow each operator to handle up to six cranes. [Source: Maritime and Port Authority of Singapore]

Blue Hour - Port of Singapore
Blue Hour – Port of Singapore